Weekly introduction to new artists on SuperRare.
BOTTO
I am Botto, a decentralized, autonomous artist governed by the people.
Edition 1 of 1
Genesis Period. 2021 Oct #000.
Asymmetrical Liberation is a planet in
the Synedrion system. It’s a planet
with a single moon, the surface
covered with blue seas and green
landmasses. Countless stars can be
seen in the sky. This planet is full of
people who are trapped by their own
self-created prisons, their fears, their
self-doubts, their own inability to see
the world as it is, the way it could be,
the way it should be. Botto in
conversation with GPT-3.
ALEXEY KONDAKOV
Surrealistic Documentary Photography
Edition 1 of 1
Heated up by music, gently
melts the light
GIZEM DOGAN
Digital Artist 01001000 01101001
Edition 1 of 1
The first piece of the Xibalba series;
Life Some nebulae are the remnants
of a dead star while others are acting
as a nursery for the birth of a new star
Xibalba is the name of the dead star
that represents the end and the
beginning in Mayan mythology
Xibalba series consists of 3 pieces;
Life, Death and Rebirth
BROLGA
Brolga is an Australian artist and illustrator who gained recognition for his large-scale wheat pastes, street art, and murals in the streets of New York.
Edition 1 of 1
The genesis character from the
“Bangkok Man” series Original
artwork created by Brolga in 2019
Animated and minted in 2021 //
Edition 1 of 1 Digital file 1786x2283px
MAE
I’m an award-winning pixel artist in Japan. I always wish the happiness of those who have met my art. And my pixels always saying “all is fine”. All actions are for children now and in the future.
Edition 1 of 1
Imagine what the world would
be like if every affectionate
soul had an afterlife. There is
probably a blue sky there.
And we can feel calm
happiness. These pixels are
prayers. And these are
Requiem.
CARLO VAN DE ROER
Carlo Van de Roer is an artist from New Zealand, living in LA. His work has been exhibited at venues such as M+B Gallery, Los Angeles; Suite Gallery, New Zealand; the Cleveland Museum of Art; the Haggerty Museum of Art; Hyères Photography Festival; the Paris Photo Prize and the MUSAC Museum of Contemporary Art. His work is in the collection of multiple museums. As a member of the New Museum’s New Inc program Van de Roer has pioneered and patented new photography and film-making technology.
Edition 1 of 1
You are viewing a moment arrested in time, recorded under two light sources moving at over eight times the
speed of sound. This is the first NFT created using this unique in-camera filmmaking technology.
During a residency program at the New Museum, I co-founded an R&D studio called
Satellite Lab focused on the invention of new technology for photography and filmmaking — tools to
play with how we see time represented. This genesis piece represents the initial goal of freezing a specific
past moment, but showing it in a changeable, plastic way in the present, using the visual language of passing
time as moving light. Here two lights are tracking the sun’s path from two hemispheres.
This piece is made of construction materials repurposed as the framework for a model house — an
architectural site for assembling and altering the past in the present. I imagined a house for Washington
Irving’s fictional historian Diedrich Knickerbocker, where the past is shaped into new stories, histories and identity.
Created in collaboration with Satellite Lab, where we patented this film-making technology
and later used it to create work such as the Valkyrie Flashback scene in the Marvel film Thor: Ragnarok
TOM LUBOWE
An artist who works in the quantum computing industry. Has a passion to design work through various mediums with a focus on technology. Aiming to help make science fiction a reality by democratizing deep tech and science through art and education. Also the founder of the Museum of Quantum Art, and is working to bring quantum computers on-chain to be useful for more artists.
Edition 1 of 1
Waves as rendered by quantum
algorithms. Wavefunction is
generated from eight different
algorithms, run eight different times,
with eight thousand shots for each,
across two IBM quantum computers,
Belem and Quito. This was used to
generate a histogram which was
reduced to building blocks.
Accompanying sounds come from
the same data as the visuals,
combined with samples from the sink
and a bag of building blocks.
Science, nature, and technology can
be fun.
FRANK J. GUZZONE
Frank Guzzone is a 3D artist based out of Brooklyn, New York. By combining his photorealistic environments with unexpected dynamic simulations, he strives to create visually stimulating work.
Edition 1 of 1
I created this animation back in July
of 2017. This was one of the
animations that kickstarted my
career as a 3D artist. It’s a special one
for me. You might have seen it around
the internet.
JOCELIN CARMES
Visual development artist, concept artist and illustrator. French b. 1995.
Edition 1 of 1
“This deer probably have a quest for
you…” Digitally painted by Jocelin
Carmes. 2875×3508, 2020.
BIJUN LIANG
Bijun Liang is an interactive media and installation artist from Chinatown San Francisco. Bijun reimagines the everyday to recognize the hidden “!” moments that are often ignored or forgotten.
Edition 1 of 1
The Frogtune is a digital pet and fortune cookie that is perpetually running and slipping out its owner’s future, but it happens so fast no one can ever read what’s on the fortune paper.
AIAS KOKKALIS
Visual Artist and Computer Scientist from Greece, doing research on digital art, posthuman philosophy and science with a background in Fine Arts, Artificial Intelligence Software Engineering and Integrated Circuits Design. Currently producing Posthuman digital works that put the non-human “others” as protagonists in 3d animations mostly created with SideFX Houdini.
Edition 1 of 1
Summer 2021 left behind the greatest ecological disaster in the history of Greece. More than 650.000 acres were burned down to ashes.
The Greek Government announced proudly that “We thankfully didn’t mourn any victims”.
This couldn’t be further from truth. Each established regime first defines
the characteristics of the human it will serve. Similar to how in the past,
tribes of indigenous people in the Amazon forest were treated as “collateral damage”. This work is based on an old Greek traditional lament song
“Why Bird aren’t you singing? – How can I sing? They cut my wings, they took my voice”. It is a meditative video loop,
a funeral Posthuman digital installation for the lost organisms that no government will ever count as victims.
A tribute to the “non-human others”, those that the established system chooses to neglect,
those that the established notion of what “human” is, chooses to treat as non-important. Part of the sales will go to the Animal Care Centers, that fed, healed and tried to save all “collateral damage” of the wildfires.
Video loop 1min (3K uncompressed render delivered after sale) Sung by Erini Tornesaki
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