Milton Sanz X Fede Bona: Finding Relief Beyond the Unknown
By Julieta Vita Maini@losdivinosdetalles An event portrays both, an intolerable situation and also the emergence of a new time, life and space. In this new distribution, objects lose their market value, nature breaks technological elements apart and traffic signs escape from a traditional structure. In this scene, a…
KVG in Conversation with Entangled Others and Sofia Crespo
KVG is glad to present these two digital artists who co-authored the Artificial Remnants 2.0 project as part of an ongoing exploration in Artificial Life. Sofia Crespo š¦š¦šThese works are part of an ongoing attempt at creating engagement with the rich biodiversity of the natural world through unconventional means.…
GENERATIVE ART CONVERSATION WITH A GENERATIVE TEXT SYSTEM
By Bard Ionson Artist and Technologist – fascinated with the space between the physical sensory, electronic and spiritual worlds and the distortions that happen upon passing between them. This is captured in glitch scanography, oscilloscope (sound and animation) art, electronic sculpture, glitch video and AI art. The art…
KVG Interview with Entangled Others
Kate Vass Galerie is glad of having the chance to learn more who and what stands behindĀ āEntangled Othersā, a Berlin-based studio āmeditating on ecology and generative artsā. In our short interview today with the founder and creative mind – Feileacan McCormick.Ā KVG: You are originally from Norway and…
An Interview with Josh Katzenmeyer: the Artist that Walks in an Abstract Landscape
By k0ch Josh Katzenmeyer (luxpris) is a creative coder and a cryptoartist. He defines himself as “a creative technologist who assembles abstracted landscapes and collages with code”. I had the opportunity to talk with him about his amazing creation process, the art that inspires him and the future…
The Creation of an Artificial Artist
Kitty Simpson and I, Pindar Van Arman, are artists teaching our creative processes to a machine. The machine is artonomous, an artificially creative painting robot. Kitty is teaching it how to take photographic portraits and I am teaching it how to paint them. The goal of our project…
Daniel Ambrosi: in Conversation with Serena Tabacchi
Foreword: When I met Daniel Ambrosi I had the impression that there was much more to experience about his work than I could grasp at the time. We first met in Miami back in December 2019 during the installation of CADAF, The Contemporary and Digital Art Fair. Danielās…
The Best Wrongs: Deconstructing the M87 Blackhole
By Matt Kane Painting as Database When I make a painting with my custom software, the painting is preserved as a database. It is like sheet music, written to be reinterpreted. The resulting JPG is merely the first visualization of this database; the first proof of work. I…
The Shaman Convergence
Ionson and Lee will be releasing the series of images created, called Convergence, as weekly package drops of three still images and one video on SuperRare. Find them starting on June 23.…
An Intercontinental Conversation between @falco, @harshitrnnh, and @pindar
Pedro Falco As human beings, our main production is data. As a visual artist, I do generative art. My work seeks to reinterpret data and use it as raw material. Through programming I write images that reflects the trail we left. Harshit Agrawal Harshit is an artificial intelligence…