The challenge and the glory of making crypto green

The challenge and the glory of making crypto green

A Bitcoin mining farm in an undisclosed location (source: Marko Ahtisaari, 2014)

The challenge and the glory of making crypto green

2 years ago

Greenifying a Gray Area

Cryptocurrency, blockchain, and NFTs have exploded into the daily lexicon with a serious case of Jekyll and Hyde Syndrome. Blockchains offer an alternative to opaque financial institutions by creating a form of currency that is decentralized and strives to empower individuals through the erosion of traditional power structures. The problem is it takes a hell of a lot of energy to power them. Can naysayers handle a new technology that has, until recently, sourced its energy from low-cost, high-carbon options when climate change has already reared its destructive head? But what if instead of standing in the way of a green-energy future, blockchain technology might actually hasten us toward one? 

First, let’s acknowledge a fact: the NFT market is growing, and the criticism leveled at cryptocurrency and NFTs hasn’t deterred their growth. For many disillusioned by a society where the rich keep getting richer, the concept of a decentralized financial system is revelatory. Anyone with an internet connection can make a transaction at any time without appeasing a bank, which opens up new horizons for people worldwide. Meanwhile, NFTs offer artists a way to sell directly to collectors, rather than going through dealers or auction-houses. Thanks to Twitter, Super Bowl ads and PayPal pop-ups, an increasing number of people are being enticed into the blockchain ecosystem. Around twenty percent of American adults are invested in cryptocurrency; the figure is even higher for millennials at 36%.

Market capitalization and the computed bounds on energy consumption for the 5 highest valued Proof-of-Work cryptocurrencies. Note y-axis is a logarithmic scale (source: Sedlmeir, et al., 2020)

Of course, the democratic nature of this new currency is the “Dr. Jekyll” of the industry. The doctor’s nefarious doppelganger, some would argue, is the computational energy needed for a network like Bitcoin, which is always running at full capacity, to validate new blocks in a blockchain, which is how transactions are registered. “Mining” is the high-energy activity required to validate and record submissions to a distributed ledger which utilizes the proof-of-work consensus mechanism (PoW). In order to submit new transactions and mine new coins in return, every computer in the network competes to solve a complex mathematical puzzle (with a hashed output) necessary to submit the winning block. If, after thousands of numerical guesses per second, a computer cracks the correct hash code, it wins the right to “mine” a block.

Anyone who has ever watched an early Bitcoin miner in action (or played a graphically cutting edge video game on a PC) knows the loud whirring of computer fans that signal prodigious energy consumption. Now, imagine the energy output of thousands of computers running 24/7 to solve complex puzzles, produce new coins and log the exchanges occurring across Bitcoin and Ethereum, by far the two most commonly used networks.

Helios, Argo’s flagship mining facility located in Dickens County, Texas (source: Argo)

As blockchains have taken off, their carbon footprint has grown apace, and in ways that are not so obvious.

With their need for energy comes another slew of concerns as companies tear down acres of forests to build new mining farms and cause harm to waterways. When China amped up its crackdown on Bitcoin mining, neighboring Kazakhstan took up the mantle, hoping to cash in by building its own mining farms. That, coupled with an influx of miners from China has helped drive fuel prices in the country upward. Kazakhstan now faces power shortages, and is eyeing nuclear energy as a way to tackle its increased electricity needs. In the meantime, some miners have already moved on and vacated farms. Kazakhstan offers a glimpse of the market’s volatility, demonstrating how one global event, like a government shutdown, can recalibrate a community’s energy concerns.

As of April 2020, China accounts for more than 75% of Bitcoin blockchain operation around the world (source: Jiang, et al., 2021)

Even farms that source energy through hydropower can hurt communities. Hydropower was a big source of energy for the numerous mining farms in China, but the water used to power those farms is a finite resource that could have been used to power homes or provide clean water to northern cities facing shortages, like Beijing. While hydroelectric power can sometimes offer a surplus of energy, it begs the question of whether water will be directed towards towns, municipalities, or revenue-generating farms in times of drought. Water plays an important role even in farms that do not run on hydropower. In New York, locals living along Seneca Lake have complained about a bitcoin mining site that uses water to cool its computers and discharges hot water back into the lake. A similar issue may soon arise in northern Italy, where mining sites have popped up near hydroelectric dams. Given that many of these sites are still relatively new, it may be too soon to measure their impact on the local environment. Even so, rising water temperatures have already damaged breeding grounds for marine animals and threatened cold water fish.

Seneca Falls Hydroelectric Project (source: Gravity Renewables)

Before you swap your reusable water bottle for a torch and pitchfork, recognize that the technologists inviting artists into the NFT market are not deaf to criticism. From its inception, crypto has defined itself as a system that is adaptive and innovative. No shortage of companies have announced plans to create blockchains that are carbon neutral. If they succeed, artists in the NFT community may continue to thrive without worrying about the negative effects of energy consumption on the environment.

Power sources of hashing facilities (source: Blandin, et al, 2020)

A 99% Difference

Dozens of new blockchains, as well as the companies that support them, have grown out of a few tech-savvy college kids mining and coding in their basements. Plenty of these same founders are looking for new ways to provide the benefits of blockchain technology without the drawbacks. Several blockchains like Solana and Tezos offer similar services as OGs like Bitcoin and Ethereum while generating 99% less energy.

One potential antidote to the energy consumption problem is called “proof of stake,” or PoS.

Unlike PoW systems, PoS does not require the same amount of electricity in the form of tremendous computational power. Instead, it requires participants to stake crypto behind the next block they want added to a blockchain. Who can validate a block depends on the network; on some blockchains, a participant can get started online by staking some of their currency, and users are encouraged to become validators in order to process information faster.

Tezos has been utilizing proof-of-stake since it was founded in 2018, allowing it to consume about two million times less energy than PoW networks like Ethereum, and twenty five million times less energy than Bitcoin. Although Tezos’ network is less widely used, and thus has fewer transactions to confirm than Bitcoin or Ethereum, it has still grown over the years, and its energy expenditure has shrunk proportionally to the increased activity.

Yearly electricity consumption for Bitcoin, Ethereum, Proof of Stake networks Polkadot, Tezos, Avalanche, Algorand, Cardano and Solana, and an average US household in kWh. Logarithmic scale (source: Gallersdörfer et al., 2022)

Solana claims to have achieved carbon neutrality in 2021 and plans to maintain it going forward. Rachel Cassaccia, a Senior Account Executive for Solana, broke it down for me: “In March 2022, the Solana Foundation reported the carbon intensity of the blockchain was 198g CO2 per kWh. Each transaction uses less energy than three Google searches.” To put that in perspective, a PoW system, like Bitcoin, generates more energy per transaction than a gallon of gasoline in a fuel engine. Cassaccia cited research from Solana’s monthly energy report, which offers breakdowns of the blockchain’s energy expenditure in relation to its competitors as well as to other activities like driving a car or using a PlayStation for an hour[3].

In addition to utilizing PoS, Solana also spearheaded the use of Proof of History (PoH). Using a PoH generator, a sequence of transactions are created then shared with the validators who confirm the “entries.” Each entry exists like a frame in a film: what came before and after it is clear because it can only fit cleanly in one spot. This quickens the pace of the validation process by breaking blocks into smaller batches that can be confirmed simultaneously, rather than one block at a time. 

But even with all of these good intentions, one cannot ignore the facts. Tezos does not currently provide the same value transmission as Bitcoin, nor the same real world utility as Ethereum; and the Solana network, often referred to as the “Ethereum killer,” has had multiple network outages just this year, resulting in both lost work and duplicate transactions. If these networks cannot provide a safe, secure, and production-ready system, then validators and users alike will likely take their financial assets elsewhere.

One major drawback to PoS systems is that control of the network lies in the hands of the owners of the token, which means that those with larger staking power have more say on the rules of the network. They can afford to stake more tokens, and thus more easily acquire new tokens, resulting in a feedback loop that can centralize the network very quickly, with fortunes made only by the largest holders who can very well stage an organized attack with way less than the 51% needed to attack a PoW system like Ethereum or Bitcoin.

Does the risk outweigh the reward? Let’s look at Ethereum.

Estimated Bitcoin, Ethereum PoW, and Ethereum PoS power consumption (source: Ethereum Foundation Blog)

Ethereum’s Multi-Step Upgrade

A skeptic might point out that the biggest and most-used blockchains are still PoW systems like Bitcoin and Ethereum. But they are changing, too. Ethereum–a popular currency for many NFT markets including SuperRare–is in the middle of a three-phase program designed to switch its consensus mechanism over to PoS. In 2020, Ethereum introduced the Beacon Chain, a PoS ledger that began functioning alongside their original system. The next major step will be to merge the current Ethereum mainnet with the Beacon Chain which will reduce energy expenditures by an impressive 99%. Moreover, the PoS system will run faster allowing for thousands of transactions per second, which will be cheaper to boot. The merger, which has been delayed several times already due in part to security concerns and in part to the NFT boom, is expected to occur sometime in the second or third quarter this year, and may prove transformative for everyone who has been benefiting from Ethereum’s increasing scalability and prevalence in blockchain technology. Transition to the Beacon Chain is also big news for creatives who have been hesitant to join the NFT market because of environmental concerns. 

Vitalik Buterin explains how “Sharding” will help Ethereum to scale

Ethereum is planning to take its updates a step further by introducing sharded processing, likely in 2023, or whenever the move to the Beacon Chain has been finalized. Sharding is the breaking off of transaction processing into smaller “shards”– a method that increases both security and scalability.

The Big Picture: It Pays to Go Green Sooner

Bitcoin’s popularity has attracted a great deal of criticism. Indeed, Elon Musk has weighed in multiple times, temporarily refusing to accept Bitcoin as a form of payment for Tesla cars due to energy concerns. Yet recently, the biggest gas-guzzler[4] of the blockchains has been actively greenifying its profile. Bitcoin estimates that more than half of its network is already powered by renewable energy. Hydro, wind, and solar-powered factories are all the rage for miners, particularly since many renewable energy options are now cheaper than gas, coal, and gasoline. Blockchain companies are moving towards carbon neutrality at a rate not seen in other Fortune 500 companies. Ultimately, that’s because the PoW mechanism provides a natural incentive for the adoption of cheaper, and more efficient energy. In the 21st century, that means updating outdated power grids, and going green. And if blockchain has already proven that it can go carbon neutral, then there is reason to hope that the industry can also undercut the other consequences of energy consumption.

Estimated Annual Energy Consumption of global financial markets (source: Coindesk)

Furthermore, technology can go beyond neutrality by encouraging the removal of carbon from the atmosphere. Carbon credit tokens have increased in popularity, and anyone who uses Ethereum has options, like Carbon Utility Tokens, (CUT), Universal Carbon Tokens, (UPCO2), and Moss Carbon Credit (MCO2). These tokens are made available when carbon dioxide is offset by a company through conservation or proper disposal. The “credits” are then tokenized and traded. Despite the complaints that crypto’s energy consumption makes it harmful to the environment, blockchains are bringing increased awareness to energy consumption on both the individual citizen and on the company-wide scale.

With companies from IBM to Walmart embracing blockchain technology and the cost of green energy decreasing globally, we are at a pivotal moment. Crypto mining powered by renewable energy may drive up demand for renewable energy, creating a booming job market the likes of which many activists have been hoping to see for years.  Already,  in Africa, The Sun Exchange harvests solar energy and utilizes Bitcoin for contracts and monetary transactions, while in Brooklyn, the Brooklyn Microgrid uses blockchain technology to create a power grid for Brooklyn residents to sell excess solar energy to other New York City residents. If momentum along these lines continues, there is reason to hope that crypto adoption will mitigate some of big business’ less glamorous attributes.

This is an age of unparalleled opportunity; the artists and intrepid creators who see a future in code have a lot of reason to believe that an open, efficient, and secure world of banking, minting, and resource allocation is imminent.

32

Rebecca Endres

Rebecca Endres is a freelance writer and office administrator working in New York City. She currently lives on Long Island. She is the winner of the 2018 New School University MFA Chapbook Contest in Poetry. Her poetry has been published in Thin Air and The Best American Poetry Blog.

Art

Tech

Curators' Choice

An Instruction Guide to Power: A Child’s Machiavelli, Social Media and the Metaverse

An Instruction Guide to Power: A Child’s Machiavelli, Social Media and the Metaverse

An Instruction Guide to Power: A Child’s Machiavelli, Social Media and the Metaverse

2 years ago

Though Niccolò Machiavelli’s famous political treatise was posthumously published as The Prince, the text reveals the utter lack of divine right that those in power could assume. They had to fight and finagle for their position, manipulate and murder to retain it. They were all too human.

The fights over social media giants, news information outlets, and the metaverse make The Prince all too relevant these days. SuperRare artist Claudia Hart’s “A Child’s Machiavelli” is a series of NFTs based on 1995 paintings that became a book and a cult collectible in 1998, and republished in 2019 to acclaim. Then in 2021 came Machiavelli World, a social VR performance hub. This iterated twist unifies children’s book images from the early 20th century with the word and spirit of the 16th century political treatise, minted together for the cryptoverse. It is an instruction guide to power for the young. 

“A Child’s Machiavelli” by Claudia Hart

Though Niccolò Machiavelli’s famous political treatise was posthumously published as The Prince, the text reveals the utter lack of divine right that those in power could assume. They had to fight and finagle for their position, manipulate and murder to retain it. They were all too h

Children’s book literature was one of the first market specializations of the 1800s. Products, colors, and lifestyles were invented to commercialize the utopian ideal of childhood. Children’s clothing was color-coded by gender at the start of the 20th century to increase sales by segmenting markets. Now social media is taking the same approach, fragmenting audiences in order to cultivate multiple platform usury

Social media was designed for the young too, but Facebook is now an old person’s misinformation market without even retro ‘cool’ value. Instagram is a Mad Men marketing platform. Snapchat reproduces the popularity of 19th century picture calling cards. Twitter is an incessant telegram service. YouTube is a vaster cable network. Tiktok, a chain letter warp zone. As these companies start to shift into developing the metaverse, they bring their antiquated politics, ambitions, and imaginations with them. 

uman.

The fights over social media giants, news information outlets, and the metaverse make The Prince all too relevant these days. SuperRare artist Claudia Hart’s “A Child’s Machiavelli” is a series of NFTs based on 1995 paintings that became a book and a cult collectible in 1998, and republished in 2019 to acclaim. Then in 2021 came Machiavelli World, a social VR performance hub. This iterated twist unifies children’s book images from the early 20th century with the word and spirit of the 16th century political treatise, minted together for the cryptoverse. It is an instruction guide to power for the young. 

An Easy Takeover

Claudia Hart’s sly artworks reflect our current condition, with cruel but true advice from 500 years past. They remind us that the world isn’t more corrupt. It’s only more mediated. 

In 1890, Congress almost unanimously passed the Sherman Antitrust Act to ensure an open marketplace. The senator John Sherman put it succinctly: “If we will not endure a king as a political power we should not endure a king over the production, transportation, and sale of any of the necessaries of life.”

In 2021, the United States Surgeon General declared a Warning against Misinformation, specifically targeting social media because people depend on these sites for so much more than family pictures and cute cat videos. The mis/dis-information is a health risk, and a political one. Seven months before the January 6th 2020 attack on the Capital, Zuckerberg personally declined to implement a series of content-neutral proposals that would have reduced misinformation. They would have had an impact on MSI (meaningful social engagement). Internationally, Facebook has spread content that enabled violence against ethnic minorities in countries like Ethiopia and Myanmar. In most cases, changes didn’t require deleting content but implementing simple algorithmic changes. But a loss of less than 1% MSI was considered too great a price to bear. For the company. Not for the people who interact on the platform socially.

Let’s not forget that, frequently, Machiavelli’s and our princes were teenagers when they arrived in power. Do we want our future imagined, designed, and minted by the anxieties and ardor of adolescent boys now too big for their britches?

Make Someone Big

Alice gets an elongated neck as she gets bigger and bigger in Wonderland, an image that Hart applies to a rare lesson for the little people. “Make Someone Big” is a reminder that if you help someone succeed, they will want to get rid of you so that it seems they did it all themselves. The Social Network (2010) told that story in 2 hours, but as we look to who’s vying for power today, who and what got them to their current position is worth taking time to consider. 

Supreme Court Associate Justice William O. Douglas wrote a dissenting opinion in United States v. Columbia Steel Co., 334 U.S. 495 (1948) when the court decided to let a steel A&M proceed: “The Curse of Bigness shows how size can become a menace–both industrial and social….Industrial power should be decentralized. It should be scattered into many hands so that the fortunes of the people will not be dependent on the whim or caprice, the political prejudices, the emotional stability of a few self-appointed men.” Known as one of the most liberal judges to ever sit on the court, his words are surprisingly apt for our own time.

Make Them Dependent on You

A mother pig fixes the collar of her piglet in Hart’s “Make Them Dependent on You,” but beyond any lingering memories of maternal overbearing, Machiavelli’s advice is the problem of our day. When people depend on you, they are less likely to get rid of you. The question to ask ourselves is why we let ourselves remain dependent? A people’s movement helped to break up the trains, oil, steel, banks, even bathtub fixtures…Is it inconceivable to break up the web-based platforms? 

Each NFT title in Hart’s series points at an aspiration: “Getting Bigger,” “Family Name,” “Taking Over.” There’s a sense of humor around this untrammeled quest for power. Hart modernized the language in “A Child’s Machiavelli,” but its essential argument about our times remains Machiavelli’s uncopyrightable truth: “Never attempt to win by force that which can be won by deception.”  

Many of the founders and CEOs of these tech companies were barely out of adolescence when they rose to power, just like the princes that Machiavelli observed. So much of their market remains focused on youth, with the recent acknowledgement by Zuckerberg that his interest in the metaverse is largely about maintaining audience share. Hart’s animated works are a wry gesture about such moves, using 19th century children’s book of verse drawings alongside 16th century political advice to remind audiences that the more things change, the more they stay the same. 

28

SuperRare

SuperRare is a marketplace to collect and trade unique, single-edition digital artworks.

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Tech

Curators' Choice

Very excited, pumped, excellent: Marco Brambilla and the Winklevii

Very excited, pumped, excellent: Marco Brambilla and the Winklevii

Entropy

Very excited, pumped, excellent: Marco Brambilla and the Winklevii

3 years ago

Film director, digital artist, and installation creator Marco Brambilla has just released a new NFT that is taking aim at celebrities of the crypto-world. “Winklevii: Bigger Than Both of Us” is a computer-generated art piece featuring the Winklevoss twins that utilizes sound samples, collage, and the uncanny. It was released this past Saturday, on the twins’ 40th birthday.

“I wanted it to look like a kinetic statue. So the idea was a Roman bust that takes on life, and is fed by currency,” Brambilla said.

Using actual quotes from the brothers, “Winklevii” opens with a medium close-up of one of the Winklevoss twins speaking directly to the camera. He begins with a few simple phrases that capture the energy of the burgeoning crypto space: “Very excited, pumped, excellent, mission that we all believe in…” And soon enough the head turns to reveal the other Winklevoss twin in the same medium close-up, this time saying, “Very excited, large global consciousness, opportunity fund…” These phrases among others spin like speech bubbles above the heads of the rotating twins, quickening their pace as the dialogue, and the faces of the twins themselves, begin to take on a life of their own.

Marco Brambilla has worked with collage before, using video files that tie in with sound, but this is the first time he has created a piece inspired by sampled audio alone. The sound bytes came from various appearances on financial news services and interviews with the Winklevoss twins where they were talking about the future of Bitcoin. According to Brambilla, the phrases included were those that came up over and over again.

“The financial world has this terminology, a lexicon, that’s its own language, and the way they speak is in that language. So words like ‘pumped,’ ‘global consciousness,’ ‘opportunity fund,’ ‘micro payments,’ these buzz words came up in so many of the interviews,” Brambilla said. “It becomes a mantra, and when you repeat and you loop it and you cycle it, it becomes almost hypnotic.”

The hypnotic nature of “Winklevii” is intensified by the steady drumbeat that accompanies the dialogue. It begins subtle enough, like a heartbeat you hear as you lay your head on someone’s chest, but as the brothers begin to speak frantically – their speech overlapping, their two heads blossoming into many – the heartbeat becomes a drumbeat, ominous if not exhilarating. 

“The idea is that the heartbeat becomes a war chant, like a marching call to action.” Brambilla told SuperRare. “Because all of these words, when you think about it, the language that they use, is all call to action, it’s all aspirational.”

So much of the language, culture, and business of crypto has been driven by hype: which coins to buy, what functions one blockchain has over another, the possibilities of a truly decentralized financial system, and the list goes on. But the ecosystem doesn’t survive on talk alone. Cryptocurrency can only work when enough individuals, businesses, and governments decide to use it, which is why this element of mantra fits so perfectly with the image of the Winkelvoss twins. They were two of the earliest adopters of Bitcoin, and have since made almost $3 billion in crypto.

The Winklevii founded Gemini (lol), a crypto exchange, in 2015, and acquired Nifty Gateway, an NFT trading platform, in 2018. When it was announced in The New York Times that the pair had become the first well-known Bitcoin billionaires, their mythology was transformed. They were no longer the Harvard jocks who were betrayed by the nerd who founded Facebook; they were the triumphant colossus in the Bitcoin revolution. 

Brambilla’s twins are based on Roman busts, which is why they appear from the shoulders up, pale-skinned and unclothed. “I wanted it to look like a kinetic statue. So the idea was a Roman bust that takes on life, and is fed by currency,” Brambilla said. “The currency feeds the energy, and it takes the concept of neo-classical art, and it takes sophisticated computer graphics–because it was made using models that are very sophisticated, like the way you would do it in a Marvel action movie–and yet its energy becomes more and more about entropy.”

Entropy can be defined as a lack of predictability, which is a perfect way to describe the highs and lows of the volatile crypto market. But it can also be defined as a decline into disorder, a theme which permeates throughout Brambilla’s “Winklevii” as the twins’ faces twist and turn, disrupting their normal layout: their eyeballs popping out of their sockets and their teeth dislodging from their jaws like a horror-themed Looney Tune before they reset. But in addition to the Roman bust aesthetic, which according to Brambilla, taps into the twins’ “iconic, larger-than-life expressions,” we see the marks of a more modern artist who found inspiration in unsettling imagery: human forms rewritten in the abstract.

“The animation was inspired by Francis Bacon’s paintings, which I’ve always loved from the very beginning, so by deconstructing their face, and by creating this sort of cyclone of information, visually, [it fit in with the theme of the familiar becoming alien]. Francis Bacon has this idea of creating a metahuman, a portrait of a human that doesn’t look human, but when you look at it you recognize the emotion behind it. So that was the idea for the piece: recognizing this emotion of energy and enthusiasm, and obsession.”

Obsession, revolution, opportunity, synergy, words that themselves decompose into the abstract as they become overused and oversaturated, the perfect vehicle for satire. Brambilla’s piece may be poking fun at the Romulus and Remus of the crypto age, but it also aims to get people to think critically about what exactly is happening with crypto, to ask the questions about benefits, vulnerabilities, applications, and threats. Seeing the twins bare, and repeating their own most-used words and phrases, opens a window into the naked subconscious of not only two of the biggest names (and faces) of crypto, but the industry itself.

“The real concept here is that everything becomes interchangeable. Once you reduce ideas to buzzwords, they become interchangeable, and I think the same thing is going to happen with the crypto artworld and NFT world, where there’s one part of the market that’s interested in speculation, and then there’s another part of the market that’s interested in longevity and building a better creative ecosystem.”

And while we wait for economists, engineers, entrepreneurs, artists and collectors to come to meaningful conclusions to these questions, we can at least sit back and enjoy watching the Winklevoss twins spin in and out of chaos.

32

Virginia Valenzuela

Vinny is a writer from New York City whose work has been published in Wired, The Independent, High Times, Right Click Save, and the Best American Poetry Blog, and in 2022 she received the Future Art Writers Award from MOZAIK Philanthropy. She is SuperRare's Managing Editor.

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